What is the difference between rural and urban samba

The poor Portuguese labourers brought their traditional song and dances and adapted them to their new life in Vera Cruz. Some songs bore direct cultural and religious significance, such as cyclical ritual songs e. Others were linked to work e. The religiosity of song intensified further as the full colonist forces arrived and founded the irmandades lay brotherhoods , which reinforced the influence of the Roman Catholic Church and initiated new Catholic musical traditions, such as the folias de reis polyphonic singing ensembles who travelled door-to-door to sing embryonic toadas tunes recounting the story of the Magi and collect donations to raise money for the Dia de los Reyes Day of the Three Kings festival.

Yet, there was also a distinctively indigenised musical-spiritual aesthetic to these practices, most likely due to the involvement of indigenous musicians as with the Jesuit autos , which led to the reimagining of saints and other legendary religious figures as outgoing lovers of music and dance.

Luso-Hispanic dance, on the other hand, was primarily recreational. In fact, Carnivalcelebrations became a competitive matter for landowners, a symbol of their benevolence towards their workforce entitling them to pride and prestige over their peers and, in the context of labour shortages, a means of attracting workers to their plantations. As a result, these Carnivalprocessions escalated into more and more elaborate spectacles and, even in this time, started to become renowned across the expanding Western world.

As black slaves were transported into the Portuguese colony to work on coffee plantations, they brought with them their African-derived mainly Bantu, Yoruba and Congo traditions.

Through forced conversion and cultural adaptation, their traditions quickly syncretised into distinct Afro-Brazilian song and dance practices.

With certain functional exceptions e. The singing comprises improvised verses and responsorial refrains which either focus on community gossip or voice ridicule, comment and challenges while the drumming features percussive interlocking rhythms from the tambu large cylindrical single-headed drum , quinjengue a smaller cylindrical single-headed drum and rattles e. Once frontiersmen struck gold away from the coast, mineiros were established in the interior of Brazil and, for a time, ascended as thriving urban cultural centres.

When the mining boom ended and the coffee industry took off, these communities moved back to Rio de Janeiro, transforming it into the new urban cultural hub of the country. She composed the march O abre alas! They not only brought this music to the public but also transformed the music itself, adding fast tempos, vocal and instrumental virtuosity and greater performativity, and offered musical instruction to those who could not afford private tuition so that it could eventually be played by a wider, and more ethnically diverse, spread of the urban populace.

Syncretic Luso-Hispanic procedures e. Yet, the favelas served as a melting pot that furthered the mixing of Luso-Hispanic melody, vocality and performativity, African-derived rhythm, responsorial singing, dance and elements of indigenous choreography and instrumentation that constitute the modern urban samba.

The most famous style emerged as the processional samba carnivalesca Carnival-style samba , which developed in symbiosis with urban Carnival celebrations and, today, is the genre commonly referenced when simply using the term samba. However, the increasing use of samba at urban Carnival celebrations, notably for the massive celebrations in Rio, brought legitimacy to the practice. They encompassed grand marches, parades, masquerades and processions featuring a dazzling array of presentational and participatory musical and artistic performances.

During the early 20 th C, samba , like the Carnival celebrations themselves, was repositioned as national culture, and thus was no longer engaged with exclusively by the lower classes; eventually all sections of society participated, especially during Carnival. Today, samba features at Carnival celebrations across the country and its music-song-dance spectacles have truly become the centre of national culture. Difference between Urban and Rural women?

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What could result if a 30 year old lawyer continued to eat as he did as a 17 years old football player? It comes from the favelas of Brazil, and it accurately depicts the distinct heritage of the Brazilian people.

This type of samba is commonly danced impromptu whenever samba music comes on. The difference mainly lies on the manner on how the two dances are carried out.

One difference is that the salsa is a dance that involves partners, while samba can be danced in pairs or solo. Samba dancers, particularly those that dance during the Carnival Festival would often dance impromptu.

Over time samba gained important influences not only from Brazilian predecessors such as the maxixe and the marcha, but the Cuban habanera and German polka as well. Samba is a Brazilian musical genre and dance style, with its roots in Africa via the West African slave trade and African religious traditions, particularly of Angola and the Congo, through the samba de roda genre of the northeastern state of Bahia, from which it derived.

Samba is a Brazilian music style of infectious rhythm and complex origins. When their descendants moved to Rio de Janeiro, they brought their music with them. Samba eventually became popular and plays a huge role in the annual Brazilian Carnival, a huge party that takes over the streets just before Lent.

They continued dancing to percussive music and developed samba out of a mix of styles, including Brazilian maxixe, a dance similar to tango.

Rumba — a social ballroom dance, sensual and slow, with similarities to American Rhythm. Tango and salsa are easily distinguishable from one another. Begin typing your search term above and press enter to search. Press ESC to cancel. Skip to content Home Arts What instruments are used in samba music?