What broadway show should i see

The song and dance spectacular, based on the Baz Luhrmann film of the same name, offers a dizzying glimpse into the glamorous and gritty nightlife of s Paris—a romanticized world brought to life by lavish sets, fabulous costumes, and a soundtrack of hits from the likes of The Rolling Stones, Lady Gaga, and Rihanna. In the theater director Alex Timbers, Luhrmann found the perfect person to adapt one of his best-loved works. Over a little more than an hour, Catherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard, and Catherine Parr each explains why her marriage to the king was the unhappiest, no matter how it ended.

You know the old rhyme: divorced, beheaded, died, divorced, beheaded, survived. I wanted to show each of them, and all of us, in our totality. Anne of Cleves brings down the house with her killer bop about living large after Henry thinks she doesn't match her Hans Holbein portrait a. Jane Seymour sings a plaintive ballad. All the performers do some incredible vocal olympics, belting high notes and doing runs as if their lives depended on it. The show's feel-good feminist messaging is not all that challenging, but who cares when you're caught up in the catchy tunes?

Watch highlights from the show. Sure, it was snubbed for Best Play at the Tonys, but you should still make time for it—that is, if you can snag a ticket. What's most fascinating about Sorkin's take on the material is how he chooses to reframe Atticus Finch's famous arguments. This isn't some kind of Go Set a Watchmen revision of the character, but the play takes a skeptical eye to Finch's axioms about walking around in another person's shoes, while still allowing for all the speechifying you'd expect from a Sorkin-Jeff Daniels collaboration.

Daniels originated the role. Adult actors savvily play the children, Scout, Jem, and Dill, who narrate the action. Their voices are a highlight, as is the expanded role of Calpurnia. Director: Joe Mantello The Humans Why it's great: The slow reopening of Broadway has given theater fans a chance to revisit their favorites, and many have flocked to Wicked to relive their teen girl angst.

It's hard not to be taken with Stephen Schwartz's incredibly catchy score as you watch the story of Galinda a. Glinda and Elphaba as they turn from enemies to friends to frenemies. You might even forget how silly some of the lyrics are. Listen to "The Wizard and I". Want more Thrillist? Skip to main content Entertainment Broadway.

American Utopia. Caroline, or Change. Come From Away. Emily Davis plays Winner with heart-wrenching rawness and lucidity. Ruben Santiago-Hudson slides smoothly into dozens of roles in this autobiographical solo show, a tribute to the staunch woman who raised him and the gallery of colorful misfits who passed through her boarding houses in upstate New York. There is nothing revolutionary about Lackawanna Blues , but it is a loving and skillful evocation of a formidable Black woman and the community she was able to create, through the force of her character, in a world of lack and want.

Embedded in the production's wealth of effects and information are techniques more commonly associated with poor theater. Through elegant puppetry, Taymor populates the stage with a menagerie of African beasts; her staging has expanded a simple cub into the pride of Broadway. Directed with opulent showmanship by Alex Timbers and drawing music from more than 75 pop hits, this jukebox megamix may be costume jewelry, but its shine is dazzling.

Toby Marlow and Lucy Moss's zingy musical Six celebrates, in boisterous fashion, the union of English dynastic history and modern pop music. On a mock concert stage, the six wives of the 16th-century monarch Henry VIII air their grievances in song, and most of them have plenty to complain about. Jeremy O. The story begins on what appears to be an antebellum Southern plantation, then yields to a sustained investigation of how African-American people experience their own bodies and desires, especially in the crucible of interracial relationships.

It snaps like a whip, and its aim is often outward. Aaron Sorkin's stage adaptation of Harper Lee's revered novel is commendable, and the execution is exemplary. Director Bartlett Sher's elegant production is stately but not stodgy. Jeff Daniels returns to his role as s Alabama lawyer Atticus Finch, a paragon of decency appropriately troubled by the unchanging world around him, with Tony winner Celia Keenan-Bolger as his precocious daughter, Scout.

After closing in early , Waitress returns for a limited run. Sara Bareilles's bright, frisky pop score is a sheer delight, and Diane Paulus directs with whimsy and verve. Fresh and delicious, Waitress has an excellent ratio of sweet to tart.

The whole dish is—please forgive me—love at first bite. This musical prequel to The Wizard of Oz addresses surprisingly complex themes, such as standards of beauty, morality and, believe it or not, fighting fascism. About us. Contact us. Discover the best of the city, first. We already have this email. Try another? Best Broadway shows in NYC. The Book of Mormon. Midtown West Until Dec 31, Read review. Buy ticket.