Karmin where is she from

Last summer she found us covering her song, and we became really close friends with her and her group. Amy: And his publicist reached out to see if we want to do anything in collaboration, but he was in Australia, so it didn't work out. Amy: No. Believe it or not it's a challenge every time. And it's a different audience every time.

WGBH, that's not really what they do, so it was so fun to see their reactions. Don't see what you're looking for?

Main Site Berklee. In This Section. May 20, Whose idea was video covers? Amy: He's on track to be the next Clive Davis. Nils is working harder than we are! How do you choose the songs to cover? Nick: Nils helps a lot with that. Amy: He pulls from Billboard and iTunes top charts.

Is this a totally different style for you? Amy: That rap element was kind of the missing piece to our blueprint. What do you think made the "Look at Me Now" video so popular?

Amy: I think Perez Hilton was another one. I'm glad he was nice about it. What were you guys doing before this? How did your Berklee experience affect you?

It features three remixes of "Sugar" and a remix of Riley Pearce's single "Brave". The duo released their second studio album, Leo Rising, on September 9, Noonan formally announced her solo career as well as her debut extended play, EP 1.

The music video for her first single "Busta Rhymes" was released on June 1, , followed by the release of EP 1 a day later. The EP received mixed reviews from critics who questioned Herby's rebranding, citing it as an example of cultural appropriation and "modern blackface".

Further criticisms included the musical and visual similarities to underground artist FKA Twigs. An accompanying music video was released the same day. On October 13, , "Wifey" was released as the second single from EP 2, accompanied by a music video.

I don't want to say I won't ever work with a major label again, but I love the idea of being one of the first independent artists to do things on her own.

It's more exciting to me to pave the way and have control, because when you work with labels, they pay for everything and you have to surrender yourself to that contract. For me, it's more exciting to do this independently, or even start my own label that helps other artists establish themselves and make an actual living from music. A post shared by Qveen Herby qveenherby. One million percent. That style of singing has always been my first love, so I think Nick and I are both satisfied now making more soulful music.

Looking back, I would say the most interesting thing to me was how my reaction was to be silent. My reaction was confusion. I would task my Black friends with explaining to me that everything was okay. Then, I started peeling back layers of Why? Why does this bother me? What is what was it that triggered those people?

Since then, I've learned a lot more about the systems that America has in place to oppress Black people and people of color, and that as a white person making Black music, I need to be much more aware of and much more comfortable talking about that because silence is the most dangerous.

My producers, my creative director on that video , and the hairstylist that braided my hair that day were all Black. It was such a magical experience on set, but I didn't take into account what the world might perceive it as—a white girl with braided hair and a spray tan, surrounded by melanin. If I could go back in time, I think I would have communicated better about what my intentions were with that song and with that video, rather than remain silent and let the controversy spiral, because what upset me at the time was that it made that video get more views since people were arguing about whether or not it was appropriation.

I would probably call it haunted mansion trap, although I don't want to use the word trap as a white artist because a trap is a community where drugs are made in and sold because other opportunities are not available to people of color. Trap is a very conflicting word for me to use, but the drums that we use are very much inspired by trap music.

Sonically, the music often has a classical tone with strings, oboes, harps, and harpsichord, which takes people off guard. I'm also very inspired by Morticia Addams, Walt Disney, and fantasy elements. It's very theatrical hip hop in that sense. I felt like I needed to cover the song mostly to process my relationship with my sexuality but also to show my support for women speaking freely about their sexuality period. Cardi did not have to even acknowledge that I did that, so the fact that she did was beautiful to me.

It was really magical and special. Makeup has always been a passion of mine, and I usually do my own makeup, my own hair, and my own styling for all my videos for the most part. I thought, Well, if I'm going to sell T-shirts, mugs, and other merch, why not have the makeup available from the video? One of my girlfriends at the time was getting out of a really bad record deal, so I suggested we start a makeup line together.